Inside this clay jug there are canyons and pine mountains,
and the makers of canyons and pine mountains!
All seven oceans are inside, and hundreds of millions of stars.
The acid that tests gold is there, and the one that judges jewels.
And the music from the strings that no one touches, and the source of all water.
- Kabir (translation by Robert Bly)
I met Erik Storlie Sunday at the MZMC; he was the guest speaker for the Dharma talk and, I learned, one of the founders of MZMC. He shared the Kabir poem above as an example of how we are infinite in scope. Usually, Zen poetry is used to illustrate Zen principles, but although Kabir is many things, a Zen Buddhist is not one of them.
In addition to this poem, he made a reference to the concept of enough (Dayenu) from the Pesach seder. It did my heart so much good to hear him draw from a multiple outside sources. Immersing myself in comparative religion has been an avocation of mine for many years. When I am concentrating on getting clarity on spiritual and philosophical issues, I draw from my exposure to a wide variety of world religions, but Buddhism, most especially Zen Buddhism tends to draw somewhat exclusively from their own (admittedly large) pool of texts and poetry. It was comforting to see someone else feeling free to look outside the proverbial temple for inspiration.
There is a famous teaching that the teachings of the Buddha are like a finger pointing at the moon. Having Judaism, Hinduism, earth spirituality, Sufism, etc. from which to draw from feels like I have many friends with me, all pointing. It seems to me that the more fingers that are pointing, the more easily I can find the moon.
